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Amateur work has not generated a great body of critical discourse. Archives are recent, crude and for the large part unstudied. I decided to describe the field of amateur film enough so we could see its influence on the underground both in its US phase and in its recent phase in London. Along with the evidence from my oral history interviews of the collective I hope to show that the cultural field of amateur film is important to a critical contextualisation of the Exploding Cinema.

Exploding Cinema 1992 – 1999, culture and democracy
By Stefan Szczelkun (2002)
=> http://www.stefan-szczelkun.org.uk/index2.htm

EXPLODING CINEMA CATALOGUE OF FILMS
programmed for showing 1991 ‹ 1998 (surviving programmes) in open access shows only. Listed alphabetically by author surname. Dedicated to the end of the Super 8 era.
=> http://www.stefan-szczelkun.org.uk/phdfilmcatalogue.htm

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EXPLODING CINEMA
=> http://www.explodingcinema.org/

[Interviews with Exploders… ]
Exploding Cinema 1999 Interviews (21 min, Edited in 2006)
=> http://www.subfrequenz.net/8mmlog/?p=406