A Super 8 exploration of my anti-Lacanian childhood (2013?)
Duncan Reekie >> https://vimeo.com/user1937186 & http://www.duncanreekie.co.uk/
Kategorie: Super8:Movie
Super8 Movie
[Secret Nuclear Bunker (2014)… ]
„The Secret Nuclear Bunker“ (Chris Gavin, 2014)
This film was shot entirely on Argenti APX100 Super 8 film. The film was DIY film developed in a home-made processing tank then digitized frame by frame using a DIY film-scanner.
Hidden deep beneath the Essex countryside is a concrete souvenir of the Cold War era…
This is a short film about The Secret Nuclear Bunker. Built in 1952, and operational right up until 1992, the bunker would have become the home to as many as 600 military and civil staff in the event of nuclear war. The facility is arranged over three floors and hidden inside a hill in the Essex Countryside at Kelvedon Hatch. The Secret Nuclear Bunker is open to the public and well worth a visit …
[Residuos Sonoros… ]
Camara: Canon 1014XL-S, Film: Vision3, Entwicklung: C41, LOMO-Tank
Audio: Korg MonoPoly & Moog.
Date (2013?)
[Splitting (1974)… ]
>> https://www.youtube.com/watch?v=_Bt9FZvk4zU
This film [Splitting (1974)] documents the major building cut made by Matta-Clark in a house on Humphrey Street in Englewood, New Jersey. 1974, 10:50 min, b&w and color, silent, Super 8mm film on video | http://www.eai.org/title.htm?id=13657
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Gordon Matta-Clark (born Gordon Roberto Echaurren Matta; June 22, 1943 – August 27, 1978) was an American artist best known for his site-specific artworks he made in the 1970s. He is famous for his „building cuts,“ a series of works in abandoned buildings in which he variously removed sections of floors, ceilings, and walls. …
https://en.wikipedia.org/wiki/Gordon_Matta-Clark
„Celluloid Structures: The Films of Gordon Matta-Clark“
Wednesday, November 1, 2006, 7:30 p.m. | Harold M. Williams Auditorium, The Getty Center, Los Angeles) | http://www.getty.edu/research/exhibitions_events/events/matta_clark_program.pdf
[Crosshatch (excerpt)… ]
Ian Helliwell has amassed a large body of work through a synthesis of analogue and digital equipment, using various hands-on techniques to realise his ideas. … The underlying chessboard image is derived from modified TV test pattern apparatus distorted by audio signals from a sinewave generator; filmed off a monitor with super-8, then coloured in with black ink and coated with household bleach. After initial editing on film it was compiled into positive, negative and split screen in a 1-2-4-2-1 sequence. The 4 track electronic music made with Helliwell`s homemade circuits, also follows this symmetrical order. (2014)
[Neila Copy am Knooper Weg… ]
[Super8 im Lichspielhaus Mutter (Kassel)… ]
premiere premiere premiere
unser erster haesslicher film
fertig geschnitten und geschunden
kommt rum
prost
rolle
MUTTER Kneipe/Bar/Disco/Punk´n´Roll
Das Traditionsunternehmen mit dem formidablen Namen „Mutter“ ist ein Muss für jeden Freund gepflegter Punkrock-Abendgestaltung.
bunsenstr. ecke henkelstr., 34127 Kassel
https://www.facebook.com/MutterBar
—
„Gerda Paulsen’s Fahrt ins Glueck“
Super 8 Film, Filmgruppe 34 Nord, Kassel 2014
Mit: Gerhard Kalden, Nuria Ibanez, Renaud Picard und Peter
Live Musik: Claudia Hellwig
http://vimeo.com/117703680
[San Pellegrino Sparkling Water… ]
I originally shot it in color (Vision3 250D) with daylight stock so that the colors would appear warm. The effect worked great and gave a golden classy 50s look but the colors wouldn’t scan right (due to the weird color of the projection lamp) on either of my cameras. There was plenty of constrast in the lighting so I decided it worked better as a 40s B&W commercial.
By Eric Pasternak (20??)
Starring Stephen Nelson.
The music is „Maybe“ by The Ink Blots.
[Opus Morphia (1986)… ]
An experimental project by David Graham Scott made on Super8 film in 1986. Made in Edinburgh and featuring real addicts doing real drugs. Soundtrack created specially for the film by Andi Vincent.
David Graham Scott | https://vimeo.com/davidgrahamscott
[Linie 55 West-Berlin (1967)… ]
Die letzte Fahrt der Straßenbahn Linie 55 in West-Berlin am 2. Oktober 1967 von Rathaus-Spandau zum Bahnhof Zoo. (Sebastian Bayer)
[The Dream of Roman Signer’s Camera (2013)… ]
A super 8 tribute to the conceptual artist Roman Signer, who filmed most of his pieces with a super 8 camera in the 1970’s and 80’s. Music by James Plotkin. Voice of the Camera: Paul Butler.
[Isle of Dogs in the 1960’s… ]
Home movie footage filmed in the early 1960’s in Mellish Street and Havannah Street, Millwall, Isle of Dogs, London, England. Filmed on a Super 8 camera by Mr George Charnley | http://www.islandhistory.co.uk/zen/index.php | http://en.wikipedia.org/wiki/Isle_of_Dogs
[The Desert (2011)… ]
THE DESERT [SUPER8 (2011)]
Music: Shapes Have Fangs
Direction: OSWALD JAMES
Shot on abandoned Western film sets in the Chihuahuan Desert.
http://www.altarealpictures.com/ | http://shapeshavefangs.com/ | http://en.wikipedia.org/wiki/Chihuahuan_Desert
[Cable Car (2013)… ]
Chris Gavin (Mon Oct 14, 2013): ‚Cable Car‘ is all shot on Argenti B&W negative (APX 100) super 8 film. … I’ve been using a Nizo 156XL camera for the last couple of years … These are the first few rolls of super 8 that I’ve home processed, some scenes are processed in Caffenol C-M, and the rest in long-expired Ilford ID11 developer. I’ve also been trying out something new for the digitizing too. I’ve hacked together a home made device comprising of stepper motors and a Sumix 150M machine vision camera. The device captures the frames one at a time, but I have to sit and manually initiate each capture (i.e. it’s not automated yet!). … all the footage was shot with an anamorphic adaptor … I use the Panasonic LA7200, which is designed to turn 4×3 footage into 16×9 footage (for older Panasonic camcorders). So it’s correct to widen the X scale of the footage by %133 in post. The overall framing of course is really wide-screen. I made the project 1920×817 pixels, so the overall framing is a ratio of 2:35:1.
You can see most of my pictures are a lot smaller than the frame (to get that picture in picture or split-screen look) and in the few frames when the picture is larger, it’s the top and bottom of the footage that gets cropped off. … | Source: http://www.filmshooting.com/scripts/forum/viewtopic.php?f=1&t=24415
Another DIY film scanner (Wednesday, October 16, 2013)
For anybody interested in the film scanning/digitizing aspects of my Cable Car Super8 film, here’s a little sneaky peek behind the scenes… | http://www.chrisgavin.com/2013/10/another-diy-film-scanner.html
[Cameraless Animation (2010)… ]
This is the completed movie made on the cameraless film workshop led by Ian Helliwell, at the 4th Cambridge Super 8 film festival, 2010. The premiere involved 3 cine projectors — 2 for the image and 1 with magnetic striped film carrying the soundtrack, with the projector positioned under the screen for playback. This began first with half a minute of sound in darkness, then the 2 cameraless animation reels were started which ran superimposed.
The 10 workshop participants, all new to hands-on procedures with super 8, made their own direct animation sequences, and recorded bursts of radio straight into a sound projector. After cutting up the various bits of film, all the pieces were spliced together onto 3 separate reels to complete this collaborative work.
via Katherine Groo >> https://katherinegroo.wordpress.com/2013/08/03/scratch-2013/
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