Kategorie: Super8:Movie

Super8 Movie

[Der WDR sammelt Super8-Filme ein… ]

Der WDR sammelt Super8-Filme ein Markus Ehrenberg (07.09.2013): “ … Digit.wdr soll helfen, analoges Material in unser Digitalzeitalter hinüberzuretten (die WDR-Website). Das Projekt hat erstaunlich viel Resonanz. „Bisher haben etwa 1500 Personen Bilder, Filme oder Videos abgegeben, eingesandt oder hochgeladen, wir haben 14 000 Beiträge online“, sagt eine WDR-Sprecherin. Große Chancen. digitalisiert zu werden, haben vor allem Aufnahmen, bei denen ein besonderes Ereignis im Mittelpunkt steht. Oder Fotos und Filme, bei denen der Zeitgeist der jeweiligen Dekade sichtbar wird … Wenn alles digitalisiert ist, bekommen die Einsender Fotos oder Filme zusammen mit einer digitalen Kopie auf einem USB-Speicherstick zurück. Die Erlaubnis, die Aufnahmen verwenden zu dürfen, werden mit dem Aushändigen des Materials gegeben. … Das für den Grimme-Online-Preis nominierte Projekt soll bis mindestens bis Ende 2013 weiterlaufen, danach bleibt das Archiv online. Vorbilder dafür gibt es laut WDR nicht. … “ | http://www.tagesspiegel.de/medien/digitales-archiv-der-wdr-sammelt-super8-filme-ein/8756816.html >> http://digit.wdr.de/

[S-Bahn Berlin 1980… ]

„S-Bahn Berlin 1980″ von Eva Gössling
Musik: Blässe (Brigitte Bühler, Xao Sefcheuqe, Eva Gössling)

… Fahrt von Ost Berlin/Bahnhof Friederichstraße über die Absperranlagen der Mauer, am Wachturm vorbei nach Westberlin. 10 Jahre vor dem Mauerfall. … Die S-Bahnen im Film, über vierzig Jahre alt. Das Monatsticket für Studenten 1979 DM 7,80. Mag die Architektur der Bahnhöfe, das Graphische, das Klare. …“ | http://www.evaresken.de/blog/?p=198

Blässe war eine Berliner No-Wave-Band, die mit Klängen, Geräuschen, Tapes und Stimmen experimentierten. Ihre musikalischen Experimente und Ideen flossen in Bands wie Einstürzende Neubauten und Die Krupps mit ein. …
https://de.wikipedia.org/wiki/Bl%C3%A4sse_%28Band%29

[From Watergate to Super8… ]


OUR NIXON, a feature length documentary based on Super8 home movies.
Filmed by Nixon’s closest aides.

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LIAM LACEY, „Penny Lane on humanizing Richard Nixon“ (The Globe and Mail, Published Friday, Apr. 26 2013, 5:00 PM EDT): “ … On paper, it sounds like an idea for a vintage Saturday Night Live sketch: While the paranoid and Machiavellian Richard Nixon was busy secretly taping everything that happened in the White House, three of his top aides and future convicted Watergate conspirators, H.R. Haldeman, John Ehrlichman and Dwight Chapin, enthusiastically ran around with their new Super-8 cameras documenting everything that happened around them. … In fact, it’s all true, and those home movies, held by the Federal Bureau of Investigation for more than 40 years, are the substance of the documentary „Our Nixon“… . … Lane talked to The Globe and Mail from her home in New York. … Your title, Our Nixon, might be considered loaded. It echoes Hans-Jürgen Syberberg’s 1977 experimental biography, Our Hitler.
Penny Lane: Well, Brian is a huge Syberberg fan [Hans-Jürgen Syberberg >> https://de.wikipedia.org/wiki/Hans-J%C3%BCrgen_Syberberg] and that’s part of it, a kind of in-joke, which we don’t expect most people to get. But the other reference is Our Gang, which I thought of while watching these silent images. After spending so much time with them, my own instinct is to humanize these, arguably, demonized figures. Partly that’s a reflection of our ages, to see them in a more impersonal way. I’m 35 and Brian is 39 – he says he was in utero during the Watergate scandal. But I know older people who have a different perspective. We had editors who told us they just couldn’t work on the film. One man said, “I hear John Ehrlichman’s voice and it just gets under my skin too much. I can’t do this.” – For me, the power of archival material is that nobody involved can see the future and that’s what humanizes them. They don’t yet know how they will be judged. … “ | http://www.theglobeandmail.com/arts/film/penny-lane-on-humanizing-richard-nixon/article11558745/

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Ben Walters, „Nixon’s White House – caught on Super8“ (Thursday 13 June 2013): “ … An administration under fire over covert wiretapping, whistleblowers hailed as heroes and lambasted as traitors, a president’s reputation on the line … You could be excused for detecting a whiff of Nixon-era sulphur in the US political atmosphere these days. With the trial of Bradley Manning, the Department of Justice’s pursuit of journalists who use national-security sources and, of course, Edward Snowden’s revelations of NSA data harvesting filling the headlines, state-sanctioned subterfuge and divisive whistleblowing dominate US politics more than at any time since the days of the Pentagon Papers and Watergate.
It’s an opportune moment, therefore, to re-examine the surveillance culture of the Nixon administration. A timely new documentary allows us to do so from a unique perspective: from the men closest to Nixon during his time in office, through the lenses of their own cameras. Our Nixon, showing this month at Open City Docs Fest in London, draws on almost 30 hours of unseen Super 8 footage shot inside the White House, and on international state visits, by Nixon’s chief of staff HR Haldeman, domestic affairs adviser John Ehrlichman and special assistant Dwight Chapin. …“ | http://www.guardian.co.uk/film/2013/jun/13/nixons-white-house-super-8-film

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„… director Penny Lane and her coproducer Brian L. Frye discovered, in the U.S. National Archives, a collection of home movies shot – for fun – by his closest aides, John Ehrlichman, H.R. Haldeman and Dwight Chapin, between 1969 and 1973. … The filmmakers had the footage digitally preserved and, for dramatic effect, edited together its seemingly banal personal moments with excerpts from Nixon’s incriminating White House tapes. The resulting all-archival film, Our Nixon, attempts to capture the disconnect between the way historical events are viewed in hindsight and how they were experienced at the time. …“ | http://realscreen.com/2013/06/19/afi-docs-13-from-watergate-to-super-8/

>> http://www.ournixon.com/ & http://vimeo.com/lennypane

[CARIDEA AND ICHTHYES (2011) … ]

CARIDEA AND ICHTHYES (2011) excerpt from Paul Clipson on Vimeo.

CARIDEA AND ICHTHYES (2011) excerpt
Part 5 of the COMPOUND EYES series
Commissioned by the San Francisco Exploratorium
Music by Jefre Cantu-Ledesma
Super 8mm film

Paul Clipson
https://vimeo.com/user2911089

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The Exploratorium is a museum in San Francisco whose stated mission is to change the way the world learns. …
https://en.wikipedia.org/wiki/Exploratorium | https://de.wikipedia.org/wiki/Exploratorium

[Avenida de Mayo (2012)… ]

Avenida de Mayo by Claudio Caldini (Super8 Tri-X, Buenos Aires, 2012)

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„Retrato n.1 – Claudio Caldini“
Um retrato realizado durante o Festival Xcèntric no CCCB (Centre de Cultura Contemporània de Barcelona). Claudio Caldini cineasta experimental Argentino. A PEÇA foi gravada como apresentaçao do artista e foi projetado antes dos filmes de Caldini durante o Festival UNAPOMA2009. …
http://vimeo.com/11294489

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Claudio Caldini
http://www.s8cinema.com/portal/edicion-2013/vanguardias/claudio-caldini/

[A MAL GAM A (Zulueta, 1976)… ]

Iván Zulueta, 1976. 33’46“, color, sonora, súper 8

Ficha técnica
Materia original: Súper 8 telecinado en betacam digital.
Material restaurado: Betacam digital. Restauración digital de imagen en Archangel y sonido, 2009.
Procedencia: Koldo Mitxelena-Iván Zulueta.

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„… With the thirty-three minute A MAL GAM A he made in 1976, Zulueta brings the lyrical film into the territory of mystico-psychedelia. The cinema as drug, as vehicle for rapture—as will later be seen in Arrebato—is a theme of this most autobiographical of Zulueta’s experimental films …“ >> Iván Zulueta’s Cinephilia of Ecstasy and Experiment by Matt Losada (Feature Articles, Issue 56 | October 2010) | http://sensesofcinema.com/2010/feature-articles/ivan-zulueta%E2%80%99s-cinephilia-of-ecstasy-and-experiment/

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Iván Zulueta (* 29. September 1943; † 30. Dezember 2009)
https://de.wikipedia.org/wiki/Iv%C3%A1n_Zulueta

[Show-reel footage from Barbaric Act (2010)… ]

2:39 Min. Footage from Barbaric Act (2010), a 43 minute loop film that connects elements of George Berkeley’s Immaterialist philosophy with the culture that we live in. Shot in tungsten 64 iso Super 8 film and hand processed using E-6 development this piece explores the relationship between Berkeley’s omniscient God and celluloid film.

Actor, written, directed & financed: Alan Crowley (2010)
Camera: Ceri Garfield and Eoin Heaney (Nizo 6080 / Bauer Royal8)
Location: Limerick School of Art & Design (Attic)

[1980s Lower East Side (NYC)… ]

… James Fischetti posted ten minutes of Super8 film shot in the 1980s “on the way to a Robert Williams Exhibition at the Psychedelic Solution Gallery” We see fleeting images of the Bowery, Chinatown, Astor Place, Houston Street, and others. His voyage around town was cut into a choppy visual mess, accompanied by an experimental Jazz fusion soundtrack. … | via >> http://www.boweryboogie.com/2013/04/super-8-film-of-1980s-lower-east-side-video/ | http://www.jamesfischetti.com/

Music:
Matt Cantello – Guitar
James Fischetti – Bass
Jack Vorvis – Drums

[Neila (So.31.03.2013 um 20:00)… ]

Neila im Club68

Club68

Neila läuft am So.31.03.2013 um 20:00 im Club68 in Kiel >> http://www.club68.de/ & mindestens 2 Laternen werden da sein und als „Vorfilm“ eine 15m Rolle Super8 Neila Rohmaterial mit einem Projektor vorführen (Der Neila Film selbst wird darauf folgend mit einem Videobeamer vorgeführt). Eintritt frei.

Neila (Super8 s/w, Kiel 2009)
Mini-FAQ >> http://www.subf.net/8mmlog/?p=16 >> Liste der Darsteller und Helfer

Neila – Kurze Vorschau (Trailer) >> http://vimeo.com/7440909

Schmalfilm Magazin 04/2010 | NeilaSchmalfilmMagazin042010.pdf (Scan, 6 Seiten, 14MB)

& Noch ein paar Rückmeldungen >> http://www.subf.net/forum/index.php/topic,549.0.html

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