Kategorie: Visual.Notes

Visual.Notes

[brainwashing… ]


[Picture from: „Brainwashing“, Video + Performance, 2006]

[…] In a world where a six-hour airplane plane flight can transplant a person into a completely alien world, cultural identity is retained through rituals surrounding clothing, language, and food. Having relocated from my native Venezuela to the United States as a teenager, I became aware of the layers of ‘skin‘ that define and separate cultures – one’s own skin, the second skin of clothing, the shell of one’s dwelling place – all these protecting the vital space of one’s hidden identity. [from: „Statement“, by Saskia Jordá, (date (?))]

Saskia Jordá – born in Caracas, Venezuela
Lives and works in Arizona and New York City.
=> saskiajorda.com

[Orte ohne Wiederkehr…. ]

„[…] Im Jahr 1984 begann der Energiekonzern Rheinbraun mit den Planungen für Garzweiler II, die Erweiterung des schon bestehenden Braunkohletagebaus Garzweiler I zwischen Aachen und Düsseldorf. Auf einer Gesamtfläche von 114 Quadratkilometern entsteht hier bis zum Jahre 2044 das größte Braunkohletagebaugebiet Europas.
Über 7.500 Menschen in 13 Dörfern werden dem Umbau weichen müssen, das heißt, die betroffenen Ortschaften Inden, Otzenrath, Spenrath, Pesch, Holz etc. werden umgesiedelt oder wurden dies in den letzten Jahren bereits.
Obwohl energiepolitisch heftig umstritten hat die Umsiedelung der Ortschaften mit dem Jahre 2000 begonnen und eine ganze Region nach und nach in eine Geisterlandschaft aus leerstehenden Häusern und verwaisten Straßen verwandelt.
Etwa 70 % der betroffenen Bürger haben das Angebot von Rheinbraun angenommen und sind in die neu entstehenden Ortschaften umgezogen. Dort haben sie mit den erhaltenen finanziellen „Entschädigungen“ neue Häuser gebaut. Meine Fotografien zeigen, was man für Geld nicht kaufen kann.“

Johannes Twielemeier. Fotografie | Orte ohne Wiederkehr.
=>> johannestwielemeier.de

[Laser & Sound… ]

[…] LSP [Laser Sound Performance] is a research trajectory exploring the relationship between sound and three dimensional image by means of laser projection.

[…] Although theoretically all sounds can be seen as sums of multiple sine waves, music in general is often too complex to result in interesting visual patterns. The research of LSP focuses on the subject of composing signals that have both a structural musical quality and a time-based structural visual quality. Different relationships between sound and image are used throughout both the performance and the installation form.

[…] By combining audio with visuals the spatial perception of sound is often being reduced because of the two-dimensional nature of the image versus the three-dimensional nature of sound. With laser(s), it is possible to create three-dimensional changing environments that surround the audience. Here, the image is generated by projecting a laser on a thin layer of smoke or fog. Image and sound originate from the same real-time generated source in the computer. This results in a performance where image and sound play equally important roles. The environment challenges the audience to change their perspective continuously.

Pictures by Edwin van der Heide

=> http://www.evdh.net/lsp/index.html

==> http://www.evdh.net/20070603LSP-Alveole_14/20070603LSP-Alveole_14.html

[Music From Mathematics (IBM 7090)… ]

[…] In 1962 a group of musicians, mathematicians and electrical engineers gathered at Bell Labs where they composed and recorded one of the first albums of computer generated music called Music From Mathematics. The film 7090 is a graphic response to this historic sound recording.

[…] The commentary by Phil Clark of UbuWeb describes the music on the album as a mixture of strange, other-worldly blips, rushing white noise, tootly reworkings of classical pieces and a marvelous period singing computer version of A Bicycle Made For Two.

[…] The LP Music From Mathematics Played by IBM 7090 Computer and Digital To Sound Transducer was originally released on Decca Records and published by Brunswick (UK) in 1962.

=> 7090 – a short film by Ian Mitchell

=> Background: Music From Mathematics

[via]

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[…] The IBM 7090 was a second-generation transistorized version of the earlier IBM 709 vacuum tube mainframe computers and was designed for „large-scale scientific and technological applications“. The 7090 was the third member of the IBM 700/7000 series scientific computers. The first 7090 installation was in November 1959. In 1960, a typical system sold for $2,900,000 or could be rented for $63,500 a month.
http://en.wikipedia.org/?title=IBM_7090 (08/2007)

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Label: „IBM 7090 Computer“
File: ari6008.jpg
Year: 1960
Category: Professions \\ Clothing \\ Technology & Industry
Credit: University of Illinois Archives (RS 11/15/801) from „Byte of History: Computing at the University of Illinois“ exhibit, March 1997
=> Source: images.library.uiuc.edu/projects/gcm…

Nachtrag:

[Dreams that Money can Buy… ]

This is a Duchamp’s fragment with music by John Cage.

„Dreams That Money Can Buy“ is a 1947 American experimental feature color film written, produced, and directed by surrealist artist and dada film-theorist Hans Richter.

Collaborators included Max Ernst, Marcel Duchamp, Man Ray, Alexander Calder, Darius Milhaud and Fernand Léger. The film won the Award for the Best Original Contribution to the Progress of Cinematography at the 1947 Venice Film Festival.

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Dreams That Money Can Buy
en.wikipedia.org/wiki/Dreams_That_Money_Can_Buy

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Hans Richter
de.wikipedia.org/wiki/Hans_Richter_%28Dadaist%29

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